Writer-director Sophia Coppola’s “The Bling Ring” is a fascinating exposé of American celebrity and consumer culture. The film is based on Nancy Jo Sales’ terrific Vanity Fair article, “The Suspect Wore Louboutins,” and it focuses on the real-life story of several teens and young adults who robbed celebrity homes in exclusive Los Angeles neighborhoods. In the film, the youth use the Internet to determine when Hollywood stars are away from home and plunder their places at will. 

“Elysium” is the latest in a series of American productions that show how the Information Age has become the Age of Appropriation, one in which ideas and stories exist side by side for the borrowing, the taking, and ultimately, the mixing. What it also shows is that after almost a century of imitating the West, the tables are indeed turning and Hollywood is increasingly looking east. 

During movie awards season, “The Impossible” received most of its accolades thanks to the remarkable lead performance of actress Naomi Watts. As good as she is, focusing on such a singular component of the film is unfair because it is great in so many respects.  The feature, directed by Juan Antonio Bayona, was inspired by the real-life survival story of a family caught in the 2004 Indian Ocean tsunami.