Kate Atkinson

Ghosts and Spies Emerge From London Fog in Kate Atkinson’s ‘Transcription’

Lee Polevoi

Atkinson quickly establishes place, diction, and a credible spirit of wartime and postwar milieus—while rarely getting bogged down in unnecessary exposition. The tone in the early chapters is both keenly literary and vividly cinematic. Confusion arises, however, with a plethora of secondary characters, i.e., the German sympathizers and double agents, some of whom are being “run” by Godfrey Tobey, some by Perry (her boss). The reader might be forgiven for wondering why many of these clandestine members of the Fifth Column talk so openly about “working for Berlin” or “spying for the Gestapo” in the midst of wartime England. 

Jackson Brodie Strikes Again

Elisabeth Blais

Started Early, Took My Dog is the fourth novel in Atkinson’s Jackson Brodie series. Brodie has appeared in three previous novels by Atkinson, but he’s merely one consistent player among a changing ensemble cast in each book. Atkinson’s books don’t really qualify as mysteries. Yes, Brodie is a policeman-turned-private detective, but the projects he works on are not your typical ‘CSI’ scenarios. He is not confronted with murder scenes, where he must rely on his superior investigative skills to uncover clues, then pull out his Sherlock Holmes-like brain power for a big reveal. More often than not, Brodie chances onto a solution by accident or simply by being in the right place at the right time. 

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