To say that the Internet changed the music industry would be an all too obvious understatement. From instant downloads and streaming technologies to self-made YouTube stars and the Twitterazi, there’s no aspect of the music biz today that’s been left untouched by the crawlers of the digital web. But in an age where we’re never more than a thumbswipe away from the expanse offerings of the Internet, where playing a new single on YouTube is more commonplace than listening to FM radio, it’s rare that we ever take a moment to stop and think about how the Internet has actually affected what music is, or even what it sounds like. 

When Indian Prime Minister Narendra Modi came to Facebook in Palo Alto and hugged Mark Zuckerberg at a townhall, he went up several notches in cool. The image of the two men hugging was splashed all over Indian media. But there’s no such thing as a Free Hug. Instead there’s Free Basics. Facebook has blanketed newspapers and billboards in India drumming up support for Free Basics. The ad budget, says one news report, is about one third of all its India revenue.

On Facebook, Cruz wrote that net neutrality is equivalent to Obamacare for the Internet, and that the Internet shouldn’t operate at the speed of government – probably no one is arguing with that last point, but Cruz’s argument that net neutrality is the “biggest threat to the Internet” is the perfect example of the issue’s branding, or lack thereof, and the cloud of confusion that surrounds it. For Republicans, Cruz’s argument has defined net neutrality as an antagonist of the free market – a staple of the conservative diet – instead of its true identity as a proponent.

In an age where cell phones are our constant companions, where an operating system can respond to voice-activated prompts and mobile Internet access provides us with instant information at any given moment, our relationships with technology and with each other are rapidly evolving. Writer-director Spike Jonze’s latest film, “Her,” an original and surprisingly emotional story about a lonely writer who develops feelings for his cell phone operating system, serves as a commentary on our society’s increasing reliance on technology.

Detroit is a city that is very familiar with poverty, especially in its low-income and minority communities. Among other financial ills, the city is suffering from a rapidly shrinking tax base as people flee the city to go to other cities where more job opportunities are present. But Detroit has an opportunity to turn its situation around by embracing technology and reinventing itself as the “Technology Hub of the Midwest.” Detroit needs to position itself as the place where technology meets the future economy. 

So many of us now have been raised on video games, cell phones and iPods. We’ve spent a large bulk of our lives in chat rooms, on Skype and posting videos to YouTube, to the extent that we’ve become news reporters and newsmakers, without even making much of an effort. We announce our actions and, in some cases, our impending demise online without giving it much thought. We have been so conditioned to invest our emotional life in the virtual space that it has become second nature.