Director Clint Eastwood’s meditation on the life of Navy SEAL sniper Chris Kyle was the hit of the movie award’s season. It won only a single Oscar (for sound editing), but it was up for six awards including best picture, and it grossed more than all the other best picture nominees combined. In other words, the film was a critical darling as well as a box-office smash, a combination that is difficult to achieve.    

With so many critically acclaimed films out this winter—and a stacked awards season—it’s easy to make the argument for a new Golden Age of cinema: this season, American Hustle, Wolf of Wall Street, Twelve Years a Slave and more films were garnering buzz for their nominations and reviews. Is this the sign of a new boom for cinema? Or does saying the art of film is back a self-fulfilling prophecy? American Hustle was a front-runner this award season and was initially met with fairly consistent acclaim, but with its 10 Oscar nominations, American Hustle left viewers empty-handed. 

Director Todd Phillips’ third entry in “The Hangover” franchise is supposed to be his last, and we should be thankful. I say this not because “The Hangover Part III” is particularly bad, but because it is entirely forgettable. Worthwhile sequels should move a franchise’s characters and plotting in new and interesting directions. Although “Part III” is a significant improvement over the horrid “The Hangover Part II,” it doesn’t come close to matching the original film in terms of creativity or laughs. 

End-of-the-world movies have long been a popular genre, but Hollywood seems particularly taken by them in 2013. “After Earth,” “Pacific Rim,” “World War Z” and “Elysium” all operate on the premise that human control of Earth is a privilege, and that we may someday become outcasts on our own planet. Writer-director Joseph Kosinski (“Tron: Legacy”) offers his own post-apocalyptic vision with “Oblivion,” a science-fiction adventure set about 60 years in the future. 

Although Jennifer Lawrence’s best actress Oscar was the only honor  “Silver Linings Playbook” pulled down at the most recent Academy Awards celebration, its impact was greater than that single award indicates. That’s because the film went into Oscar night with eight total nominations, including one for best picture. The movie also received a best director nod for David O. Russell.