For fans of the indie director, Clerks III is essential viewing, especially if you get the chance to see The Convenience Tour. Touring across 50 theaters in North America, Smith personally presents the movie and ends the show with an hour-long Q&A (though in typical Kevin Smith fashion, the Q&A went an hour overtime). His show is a love letter to the fans and offers great insight into the behind-the-scenes making of a movie.

The film begins with a young woman named Tess arriving at her Airbnb to find out that it’s already occupied by a man named Keith. She ends up agreeing, begrudgingly,  to stay in the house for the night and starts to hear strange noises. In the morning she discovers that the rest of the neighborhood is completely run down except for the house she’s staying in. The movie does a good job of building tension while keeping the viewer wondering in which direction things are going.

The lighting and shots of the European countryside help create a creepy and uneasy atmosphere, although at times it does look a little too similar to other works that portray the Middle Ages. It’s an impressive feat for a movie that doesn’t have any supernatural elements and it keeps the slower scenes from feeling boring. One of the more notable shortcomings of Medieval is that none of the actors give breakthrough performances.

Everyone knows the filmmaking conventions that make a good heist movie: a mismatch of eccentric characters each with their own skill set, speeches about how the impossible task is actually possible, and the execution. Heist movies always feature the debonair hero, the hothead, the uneasy alliance, the romantic interest, and a villain. A heist film lives and dies on its storyteller’s ability to overcome the derivative and craft something exciting. John Barker’s The Umbrella Men represents the highs and lows of the genre.

Buhagiar can be forgiven for adding a bit of magic realism to shore up the storyline, or maybe it’s just God’s intervention. Take your pick.While the cathedral is closed for masses until further notice, the parishioners are welcome to confess. Concealing herself in the confessional, with “a voice like the Virgin Mary,” Carmen counsels the abused and forlorn women of the town. Even a young girl with the voice of an angel is advised to take money from the collection box and escape to Rome where her talent will be recognized.

The biggest problem with this documentary is the sporadic way that it’s edited – which veers from interviews with Baker to interviews with other directors to old photos and footage of people associated with Baker at a confusing pace with hardly any understandable transition. What’s worse is that the film uses various weird camera angles and visual effects like random bright lights, dark vignetting, random zoom-ins in footage of Baker just walking around or talking on the phone.

Breaking tells the true-life story of Easley, a former marine in financial trouble. On the brink of homelessness and an inability to pay for his daughter’s child support, Easley decides to hold a Wells Fargo Bank hostage and make his voice heard through live news coverage. Breaking is a harrowing look into the hardships that veterans face, told through the vehicle of one man, portrayed by Star Wars actor John Boyega.

Hunter x Hunter is an extremely enjoyable series from start to finish. All of the narrative arcs are appealing and executed beautifully. The characters are one of the main factors that make this story so enjoyable. Gon, Kurapika, Leorio, Killua, Hisoka, and others make the show a must-watch and have interesting characteristics and backgrounds. The show excels at strategy as well, as Togashi brings innovative ways for characters to defeat their opponents. Yoshihiro Togashi made what is considered to be his most famous project.

The director does a great job of using certain shots and sounds to sell the danger of climbing the tower. It comes off as rickety and on the verge of collapse to really build tension. There are numerous close calls that put them in mortal danger and the script does a great job of setting small things up to pay them off later. There was one revelation later in the movie that is telegraphed obviously, but there’s a great twist towards the end that’s well done.

Vinton caught his next big break when his production studio started making the “California Raisins” commercials, which became a pop-culture phenomenon in the 1980s. The problem is that Vinton Studios never expected the commercials to take off and didn’t have a share of the merchandising. So while the California Raisin Advisory was raking almost half a billion in merchandise sales, Vinton Studios didn’t see a dime of it.