The film does, however, mean well, and it focuses on an underreported piece of history. Loosely based on Robert M. Edsel’s nonfiction book The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History, it centers on the efforts of the Monuments, Fine Arts, and Archives program set up during the later stages of the war. The goal of the program was to preserve works of art as Allied forces marched toward victory. 

Often the glitz and glamour of Hollywood supersedes the real “work” of the movie, and certainly the awards season does nothing to bring recognition to the many people who contribute to the success of a movie.  Many of the fields that are recognized: technological, sound design, set design, etc., are done so in hotel luncheons and dinners far away from the camera, or by taking out a page-sized ad of congratulations in Variety.  In this respect, Hollywood itself contributes to the limited vision that people outside of Los Angeles have of the industry.