Richard Strauss’s piece is a perfect example for two reasons. One, this composition has been shrouded by the media it's used in, and has lost its original identity -- those who listen to it have no idea its origin is actually a great classical score. Two, it serves as an example as to the breadth classical music can have when identifying emotions and feelings.

More people wrote about him than about any other person in history – with the exception of Jesus, Luther, Napoleon and Marx — they say. In 2013 the world is celebrating Richard Wagner’s birthday for the 200th time — his obit for the 130^th. Wagner’s work continues to cause great emotions, ranging from sheer enthusiasm to utmost rejection, and his recitals attract people to opera houses all over the world. The poet, director, conductor, writer and first and foremost composer, remains a mystery for many, and doesn’t cease to polarize even 130 years after his death.