Stephanie Kane

The Art of Frances Glessner Lee: Shrinking Evil

Stephanie Kane

In the 1940s, a Chicago heiress turned the notion of a dollhouse on its head. Tapping into the power and intimacy of miniature dwellings, Frances Glessner Lee constructed 18 tiny scenes of violent death set in rooming houses, rustic cabins, garages, attics—even a nursery. Lee’s crime scene dioramas may be a trifle outdated, but time has not robbed them of any of their power.

A Brutal Crime and the Unraveling of Truth From Fiction

Sandra Bertrand

In this case, Betty was found face down in the garage with garbage cans filled with an unlikely collection of the so-called burglar’s loot and a couple of TVs nearby. Sendle, the lead cop in the original investigation, told Kane that he knew the killer was no burglar from the beginning.  Frye’s coverup was sloppy.  Such items as an open bottle of shampoo, a pair of clip-on RayBans, an electric shaver and three electric clocks were found in the cans. 

Subscribe to RSS - Stephanie Kane