Orwell wrote not one, but two century-defining works, Animal Farm and Nineteen Eighty-Four—novels that speak directly to readers today, more than 50 years later. He dedicated his life to writing about and warning of the dangers of totalitarian politics and, most presciently, the breakdown of language when it comes to previously clear distinctions between truth and falsehood. The life story of this brilliant writer underpins the free-flowing structure of Rebecca Solnit’s new book, Orwell’s Roses.

Arditi wants to infuse the future of visual art with the power of its primitive past. “I want to be as close as possible to what art started as, but with a modern twist,” he said when I visited his studio this month. He pulls pigments from natural sources like flowers, rocks, dirt, soil, clay, crystals — anything earth-produced that has a distinct color. He dyes a thick lacquer with the pigment, and then uses the solution to paint. “I want my art to be simple and accessible. I want art for the masses because that’s where art began. It has since turned into pretense and facade. The earth was the original canvas.”