Fiona MacFarlane’s debut novel, The Sun Walks Down, takes place over the course of a week. With each passing day, the search for Denny Wallace grows more agonizing, for the citizens of Fairly and for the reader. The story moves without a bump among a teeming cast of characters, landing squarely on their passions and their sense of impending doom

Mantel’s work of short fiction, Learning to Talk (published in the U.S. in 2022, originally in the UK in 2013) has a much narrower focus—that is, stories of a troubled Catholic childhood in the North of England in the late 1950s and early 1960s. The seven stories are all told in a first-person (mostly female) voice of an adult looking back on pivotal moments in childhood, set against an industrial backdrop and within the world of a highly unorthodox nuclear family.

. In Harlem Shuffle, Colson Whitehead makes the creation of uptown Manhattan in the late 1950s and early 1960s—as well as a series of heists in which Carney becomes enmeshed—look easy to do, when of course it’s not. Whitehead’s prose is smart, jumpy, and pleasingly digressive. The storytelling seems effortless, and yet I can’t recall another work of fiction in 2021 that offered such high entertainment value.  

For me, The Volunteer is the most accomplished work of fiction published in 2019. The story of Vollie Frade (the “Volunteer”) spans numerous generations, zigzagging from the American Midwest to the war in Vietnam, from the borough of Queens, New York, to New Mexico and Latvia. The intriguing opening chapters don’t prepare the reader for Vollie’s brutal ordeal as a POW in Vietnam, which he barely survives. That’s when the novel becomes something genuinely special.

Tessa Hadley has published many books, including a remarkable recent novel, The Past. For me, her talents shine brightest in the arena of short fiction, as in her most recent collection, Bad Dreams and Other Stories. Without resorting to prose that calls attention to itself, she tells stories in precise detail and with considerable narrative economy—often to shattering effect.

Too bad more biographies aren’t like this one, a kaleidoscopic and irreverent look at the life of a now-deceased member of the 20^th century British family, a princess determined to go her own way. Craig Brown dispenses with traditional linear narrative (birth, youth, middle age, old age, and death), preferring to draw us in with a series of impressions, anecdotes and speculations about Her Royal Highness (99 in all) that grow out of documented fact and salacious rumors.

One of the chief pleasures of On Such a Full Sea is the anxious, reflective, self-questioning and cautiously prideful “chorus of We” that tells the story of Fan, a 16-year-old fish-tank diver in a highly stratified, post-apocalyptic America. The collective voice emanates from B-Mor, “once known as Baltimore,” whose inhabitants are charged with raising fish and vegetables to feed the elite Charter villages, located across a vast, lawless territory called the “open counties.”