alternative rock

Rock Has Another Trick Up Its Sleave

Garrett Hartman

On Fidlar’s latest album “Almost Free,” released in 2019, the title track is an entirely instrumental blend of funk and big band music. A track like this seems to contradict the Alt Rock angst they call back to however it seems to fit into the album perfectly. Similarly, SWMRS “Berkley’s on Fire” and “Lose Lose Lose” use groovy basslines and interesting rhythms that separate them from the standard order Alt Rock, but still have enough attitude and Punk guitars to be described as anything else. It feels almost disrespectful to compare these bands with each other because of their undeniable individuality.

 

Simple As This: Is Jake Bugg the New Bob Dylan?

Melinda Parks

To see him play live, you would hardly know that Jake Bugg is just a kid. Feet planted before the microphone, head bobbing up and down to the rhythm of his guitar strumming, he exudes the subdued confidence of a more seasoned performer. His voice – distinctively nasal, irresistibly British – carries strongly over the crowd, sounding impressively similar to his studio recordings. He strolls along the edge of the stage at intervals and glances casually about the room, as if to demonstrate just how easily this comes to him. 

Strength in Independence: The Strokes and The National

Sandra Canosa

A dozen years later, the roles aren’t exactly reversed, but the tunes have changed. In the spring of 2013, both bands released new and much-anticipated albums – the Strokes’ fifth, Comedown Machine, and the National’s sixth, Trouble Will Find Me. In terms of sheer numbers alone, the National outsold their former clubmates nearly 2-to-1 in their first week. Trouble Will Find Me popped up on Best of the Year lists from Pitchfork, Stereogum, and Rolling Stone and is nominated for a Grammy for Best Alternative Music Album. 

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