Simmons made a name for herself in the ‘70s and ‘80s by constructing dollhouse rooms and photographing them. They were a subversive reflection on the Marxist notion of the fetishizing commodity and were done through a feminist lens. She was not interested so much with creating a narrative in her photographs, though her subject matter may have reflected otherwise. Rather, she refers to the early works as “doll still life work” and they became as such after she stared at the created spaces until they became void of meaning and abstract to her. 

Though the country remained under a one-party rule, Vietnam has since the late 1980s eased its once-iron grip on the economy and cultural life, moving from a socialist to a free market economy. Gone are the days when citizens were required to discuss Marxist-Leninist doctrines at weekly neighborhood sessions. Gone too are the permits needed to buy rice from state-run stores, or to move from one city to another. The drab, impoverished and immobile nation that Catherine saw when she first visited in 1990 quickly shifted under her lens. And fascinated, she kept coming back. 

While it sounds typical – Western male artist enters “exotic” land to bring stories back home – one must remember that at the time of Riboud’s creations, the metropolitan West, in the fallout of the World Wars, was just starting to gain a real appreciation for what Asia had to offer. Yet Riboud deters from juxtaposing the differences in cultures as a way to highlight both sides’ strengths. 

Hiroshi Sugimoto: Seascapes brings together Sugimoto’s iconic seascapes, on loan from important collections and on view for the first time in Southampton since Time Exposed, his 1994-95 solo exhibition at the Parrish Art Museum. Among works on view are Mediterranean Sea, Crete (1990); Yellow Sea, Cheju (1992); Lake Superior, Cascade River (1995-2003); and Tyrrhenian Sea (1990).

Let’s face it—Paris is probably one of the most photographed places on the planet, so what’s all the fuss about one more photographer adding his own indelible images to the list?  A reasonable point of view perhaps, but when the Metropolitan Museum of Art’s new exhibit, Charles Marville:  Photographer of Paris is the subject, it’s worth a great deal of fuss.  Capturing the picturesque streets and alleyways, monuments and churches, lampposts and clouds of the City of Light in the mid-1800s was no easy assignment.

One of the possibilities that await Instagram users who are driven either by curiosity or boredom with their current feed is to take a chance on the “explore” feature.  Within seconds, a user who observed a fellow foodie’s dinner in Los Angeles can now be transported to such far-flung locales as Malaysia or Sao Paolo.  Spain-based artists Jorge Martinez Phil Gonzalez have now taken that feature one step further with the creation of the world’s first Instagram Gallery in Miami.  

ArtCenter’s new exhibition, “In His Own Likeness,” showcases diverse media (photography, sculpture, painting and video) of four Latin American artists who illuminate  the subject matter of gender and its relationship with power and divinity. The artists are from Guatemala, Mexico and Cuba and include ArtCenter/South Florida resident artist Othón Castañeda, plus visiting artist Eny Roland, with Rocío García and Mario Santizo. The exhibition is currently on view through March 16 at the Richard Shack Gallery

Eleanor Bennett is  the CIWEM Young Environmental Photographer of The Year 2013 and has also won first places with National Geographic, The World Photography Organisation, Nature's Best Photography and The National Trust to name a few. Her photography has been published in the Daily Telegraph, The Guardian, The British Journal of Psychiatry, Life Force Magazine, British Vogue, Harper's Bazaar and as the cover of books and magazines extensively throughout the world. 

I’m as interested in the process of photographing people as much as I am in the final product. The act of creating portraits is a collaboration between the photographer and the subject. This relationship provides a certain feedback that’s not present when photographing, say, a building or still life. That’s what draws me to people—the energy exchange and the nuances of that relationship. 

Danh is well known for his rigorous photographic experimentation, having previously innovated a method of printing images on living leaves in order to create a botanical archive of victims of the atrocities in Vietnam and Cambodia. Similarly, creation of the Yosemite series involved outfitting a specialized van for the on-site creation of large-scale daguerreotypes and spending many seasons camping and working from within the park.