Category

Photography & Art

Georgia O’Keeffe at MoMA: A Closer Look at Greatness

By Sandra Bertrand

From her early days on Wisconsin farmland — a high school stint in Virginia, followed by the Art Institute of Chicago and the Art Students League of New York, a summer at Lake George, camping trips in Appalachia, and teaching stints in Texas and South Carolina--she was endlessly experimenting. Over 120 works, including examples from MoMA’s collection, demonstrate the ways in which O’Keeffe developed, repeated, and changed motifs that blur the boundary between observation and abstraction.

Avedon’s Centenary at the Met: Monumental Photomurals Take the Stage

By Sandra Bertrand

This is the most wickedly playful of the three panels—a group tableau created at Warhol’s Factory over a period of months, with several outtakes on display over the span. A careful study on the left reveals filmmaker Paul Morrissey possessively placing his hand on the shoulder of the naked Joe Dellesandro and to the far right, Warhol positioned with his now clothed protegee behind him.

Brentwood Arts Exchange Showcases Traditions of African-American Quilting in New Exhibit

By The Editors

Brentwood Arts Exchange is currently showcasing FREEDOM: Selected Works From The Uhuru Quilters Guild, a group exhibition, featuring the works of artists Renee Anderson, Melba Brown, Phyllis Fagan, Cheryl Deene Hurd, Angela Lanier, Maxine Morgan, Tametha Morrow, Betty Phillips, Adrienne Randall, Sandra Schmidt, and Rose Swain. "Uhuru" means "freedom" in Swahili.

On Your Radar: Portraiture at the Met, Marjorie Strider, and Meret Oppenheim at MoMA

By Sandra Bertrand

Visiting the world of Meret Oppenheim is a little like confronting Object, her famed fur teacup—the viewer is tempted to imagine what’s underneath. It’s just an ordinary teacup, isn’t it—but is it?  Such layers and layers of surprises await. The current retrospective at MOMA has unearthed through nearly 200 paintings, sculptures, assemblages, reliefs, jewelry designs, works on paper, and collages to reflect a marvelously fluid mind.

Edward Hopper’s New York: A Study in Isolation at the Whitney

By Sandra Bertrand

The Whitney is ground zero for promoting and preserving the legacy of this iconic genius. Its holdings comprise 3,100 works and represent 10 percent of the entire collection. The first painting purchased was Early Sunday Morning (1930). It is a study in isolated storefronts, a horizontal view where a barber pole and a fire hydrant seem to be stand-ins for an absent populace. It’s as good a place as any to begin our journey to understand Hopper’s obsession with the city.

Elena Ksanti and the Power of Abstract Expressionism

By The Editors

Elena Ksanti is a contemporary artist who specializes in abstract expressionism using the "fluid art" technique. Ksanti constructs her art pieces highlighting the duality of our planet and the disparities held within: Light and Dark; Yin and Yang; Good and Evil; Love and Hate; Happiness and Sorrow, etc. Ksanti views life as a world of contrasts, emotions, and possibilities. Touching on these topics and the gray areas in between, the artist actualizes these sentiments onto canvas for individual interpretation.

Manou Marzban – An Artist for Our Times

By Sandra Bertrand

This lighthearted genius of pop culture wants to make people think as well. Every icon from our combined histories is fair game for deconstruction, from colorfully painted World War II Nazi helmets—“just a piece of  metal”—to cartoon renderings of historical figures from the Qajar dynasty. Marzban’s vivid imagination holds supreme sway over every endeavor. He has said that if he analyzes an undertaking, he would never finish it.

Tabitha Soren Showcases Photography Series in Solo Exhibit

By The Editors

A former reporter for MTV News, ABC News, and NBC News, Soren begins each new series using the methodical investigative tools she used during her time in journalism. Books, research studies, and statistics lay a necessary analytical foundation for the visual ideas she communicates. These data points then merge with her experiences growing up in a military family, spending her youth moving around the world and adjusting to the cultural differences, social structures, and visual cues that came with each relocation.